baze.djunkiii Charts 05/2k25

01. Eva - Take Me... Mr. Love [Mothball Record]
Italo Disco galore and a re-release of a 1987 gem then put out on the circuit via the Technology label with original copies fetching three digits on Discogs. And this one has it all when it comes to Italo Disco - simple, yet catchy and uplifting vibes, naivety, broken english, innocent sounding female lyrics and on top of it all a cover shot of Eva which displays her as an absolute bombshell of a redhead which in itself is a work of art in its own right. A hit record par excellance, both in its original iteration as well as in its newly crafted, slightly The Hague Electro leaning remix form cooked up by Luca Dell'Orso.

02. Kaval - Pistolaser [Sneaker Social Club 055]
The Sneaker Social Club label has become a staple in all things Bass Music over the past years for a reason and seemingly is on a mission to bring a short-lived and oftentimes overlooked variation of urban UK music back to the forefront. We're talking UK Funky here with its distinct swing, dry, yet complex percussion riddims, Tribal references, occasional 4/4 sequences, bleepy synth warps and repetetive vocal snippets - all ingredients present in the four cuts on this 12" vinyl release, albeit infused with a microdose of junglistic sexiness and a truly seductive vibe for a new audience grooving away on dark, low end-driven dancefloors.

03. The Strangler Of The Swamp / Bande Berne Crematoire - Eine Aufnahmen Voller Widerlicher Verderbtheit [Lux Rec 050]
The 50th release for the Swiss Lux Rec label takes a deep dive into the early Tape Industrial / Minimal Wave works of Michael Antener a.k.a. The Strangler Of The Swamp and Bande Berne Crematoire, later also member of Swamp Terrorists, Hellsau, Nacht'Raum and others. All released on tape or self-released and quite impossible to get vinyl throughout the 80s this triple vinyl album offers a fascinating glimpse into the early development of a rather isolated and insular pioneer of the countries scene, crafting both dark, stripped down and fascinating Industrial dance tracks like "Animals", wonky, somewhat even PostPunk-informed songs like "Get Up! (Ripley Sucks)" whereas live recordings like "Driver" fuse intense Industrial x EBM with a certain subtle complexity also to be found in productions by bands like Cabaret Voltaire whilst "Hard Core Bodies" showcases Industrial in its most brutal, demanding and noisiest form. Furthermore cuts like "Days Of Tears" serve hyperseductive material for peaktime goth dances, "Creepshow", despite being rather minimalist, is as creepy as its name suggests, "Rosa Bernet" turns out to be a precursor of what would later become Industrial Techno whereas "Example Of BBC" brings forth the most brooding and ominous side of Michael Antener's sonic universe. Raw and heavy stuff, this.

04. Meat.Karaoke.Quality.Time - Paradice [Umland Records 066]
See review for details...

05. Acopia - Be Enough [CWPT 011R]
Quite an interesting and for the most part info-less 10" remix release on the CWPT label. On the A-side we see Daniel Avery taking care of Acopia's "Be Enough" remixwise, delivering a surprisingly atmospheric, yet super washed out deep Atmospheric Drum'n'Bass roller featuring ethereal vocals and therefore evokes distant memories of 90s Drum'n'Bass meets Pop excursions - Everything But The Girl, anyone? -, whereas JD Twitch's take on "Holding On" named the 'JD Twitch Dub' enters similarly gaseous atmospheres on top of stumbling, rather complex slow motion beats touching base with both the realm of Post-Dubstep as well as heavy Industrial-infused Electronica backed by intense waves of synth bass.

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Sascha Müller - T8CID Traxx Vol. 02 [Psychocandies 126 Promo]

Released as a two track digital single via his very own Psychocandies label on December 27th, 2k24 is Sascha Müller's "T8CID Traxx Vol. 02", a new release and sequel in what seemingly is to become a new series in the ever growing back catalogue of the Uelsen-based studio wizard. Opening with "T8CID A3" we see Mr. Müller on a pumping, muscular and well uplifting Acid tip, bringing forth hyper-elastic modulations and jacking percussion grooves for those who still remember the first wave - and vibe! - of the UK TechHouse scene for a reason whilst "T8CID A4" presents a similar, yet slightly darker variation of ever spiralling, moving and hypnotizing Acid for the darkest hours of the night after the first night out. Pure vibes.

2020 - 21 [2020 Records 021 Promo]

Released on January 14th, 2k25 via the artist run 2020 Records label is "21", the latest full length digital album cooked up by the operations head honcho 2020. Featuring one sole track, the roughly 50 minutes spanning "Modul (380)" presents a blurred, mind-numbing, rather structureless and disorienting Desolation Ambient whiteout backed by tectonic low frequency rumbles which sucks one in like a levitating maelstrom removed from the boundaries of space and time and regular dimensions only to suddenly spit one out into a familiar, yet probably slightly altered realm of reality after the sonic transmission ended. This is Deep Listening Music touching base with the fundamental questions like 'Are we really here?', 'What is time?', "Do we exist?', 'Why?' and 'Where the fuck is my mind?'. Go check.

01.05.2025 baze.djunkiii presents Beyond Techhouse Volume 16 @ Radio Flouka / Paris, France

Get ready for another decade-spanning 60 minutes all vinyl experience straight from the decks of Hamburg-based Radio Flouka-resident baze.djunkiii who's digging up contemporary re-edits of alltime early Techno and Trance favorites, pumping underground TechHouse cuts, BootyHouse references as well as classic vocal cuts from the ElectroHouse x ElectroClash spectrum. 100% dancefloor pleasure guaranteed.

decks: baze.djunkiii [Intrauterin Recordings / Carsharing Tapes]

file under: Techhouse / Electroclash

transmission time: 22oo - 23oo GMT+1

get locked via Radio Flouka
Paris

No Hay Banda / Steven Kazuo Takasugi / Huei Lin - Il Teatro Rosso [No Hay Discos 005]

Released via the core trios own No Hay Discos outfit on April 18th, 2k25 is "Il Teatro Rosso", the new album by No Hay Banda which sees the ensemble collaborate with composer Steven Kazuo Takasugi and film director Huei Lin for an extended mixed media project which, in its score'esque form, spans a total of seven scenes a.k.a. musical pieces and a total runtime of roughly 49 minutes. Opening with a chiming and highly detailed arrangement of loose, spatial and sparse sonic structures in "The Red Theatre" No Hay Banda creates a vibe vaguely and more atmospherically reminiscent of Ekkehard Ehlers' influental "Plays..." series of the early 2000s without defining the overall playing field too much we see the layers of sonic events thickening with added struck and plucked strings and intensifying dynamics in "The Spasms Of Trapped Animals" which works its way up to a set of quasi-percussive eruptions and intense drums of war contrasted by the fully focused minimalism, or better: Minimal Music, of the subsequent "Life On An Incline or Clean Geometry". Furthermore "Tar Pits" introduces the, albeit raw, use of rasping and intense Avantgarde Jazz-leaning brass instruments for the first time on this longplayer, "The Drowning" follows up with a return to buzzing detail, this time accompanied by sequences of subdued Jazz pianos which, in a livelier and more present form, transform into the backbone of "The Deeper, The Quieter... The Quieter, The Deeper" before the "Grumpy Old Man" bids farewell with the introduction of rather crackly and experimental sounds of probably electro-acoustic origin. A rather interesting album for all collectors of Avantgarde, obscure scores and advanced Contemporary Classical music.

Album artwork on Instagram!

Jürg Frey x Quatuor Bozzini - String Quartets [Collection Qb]

Released via the Quatuor Bozzini run and headed Collection Qb label on March 7th, 2k25 is "String Quartets", a collaborational release which sees the ensemble take on pieces by Swiss composer Jürg Frey. Originally put out on the circuit via Edition Wandelweiser in 2006 the recent re-issue was driven by the ensembles 25th anniversary the hour long album features a total of four compositions written in the period from 1988 to the year 2000, opening with "Streichquartett" - an eleven minutes spanning exploration of repetitive yet ever so slightly shifting Minimal Music with all four instruments playing in perfect unison whilst continuously meandering around a seemingly set set of parameters when it comes to pitch and sustain. With "(Unbetitelt) IV" we're taken into a stripped down, yet emotionally touching world of Contemporary Classical composition whereas the two micro-pieces in "Zwei Allerletzte Sächelchen" - "Mailied" and "Vorbei" weigh in a brief excursion into unscathed rural beauty before the albums main piece "Streichquartett 2" rounds things off in a surprisingly Dark Ambient-leaning manner, serving stripped down, yet highly fascinating, hypnotic and time-dissolving micro-movements at the very brink of the audible spectrum which therefore turn out to be quite an essential piece of contemporary Deep Listening Music for all genre aficionados. Go check!

Album artwork on Instagram!

Rat Pack 2 - 2 Bad Rats EP [Pharmacom Records 104 Promo]

Released digitally on December 2nd, 2k24 via the reawakened Pharmacom Records label as their cat.no. 104 after an extended period of silence is the "2 Bad Rats EP", the first ever musical instalment by Rat Pack 2 - not to be confused with the UK Breakbeat heroes though. Opening with "2 Bad Rats", another tongue-in-cheek tribute to the early UK Breakbeat scene, we see Rat Pack 2 on a raw and steppy, slightly Acid-infused experimental Breakbeat tip before "The Docto" - sic! - dives even deeper into glitchy, noized out quasi-Breakbeat experimentalisms and presents a heavy IDM-leaning approach to production for those who do prefer a rough, rugged and rather industrial'esque edge to their music.

Fullmoon - Moon 4 [Fullmoon Recordings 004 Promo]

Put out on the circuit on January 3rd, 2k25 via the artist run label Fullmoon Recordings is "Moon 4", the fourth - sic! - full length digital album release by the label head Fullmoon. Over the course of five tracks and a little more than 50 minutes of total runtime we see Fullmoon embarking on a full on Ambient x Deep Listening Music journey with the tense, spine-tingling and surely (Neo)Cosmic-informed opener "Cordoba" which is, especially due to its spatial depth and ethereal choir non-vocalisms, to be referred to as a fully fledged space-set story score in its own right whereas the subsequent "Ornament" provides droney, electric and bass-focused Ambient pulses and gooey organic modulations alongside yearning and sustained wide screen synth panoramas floating beyond time and space like the flickering lights of the aurora borealis. Furthermore we see "Patterns", our favorite of the five tracks in this album btw, bringing on a deep, slightly glitch-infused fusion of TripHop / Downbeat and IDM x Indietronica evoking memories of once beloved labels like Isolate Records or early 2000s releases produced by projects like Carlito Verde, "The Day After" indulges in spiralling, albeit somewhat kitschy and New Age-leaning Synth Ambient goodness before the final cut that is "The Evening" waves goodbye on a warm and overall comforting Ambient tip for a closing. Quite a beautiful album, this.

Nour Symon - Je Suis Calme Et Enrage-e [Ambiances Magnetiques 281]

Put out on the circuit via the Ambiances Magnetiques imprint as their cat.no. 281 on March 7th, 2k25 is "Je Suis Calme Et Enrage-e", the second full length album conceived for the label by composer Nour Symon who delivers a total of six pieces over the course of 57 minutes, performed by an entire ensemble of artists on both classical and electronic instruments of which some are operating under the name of Ensemble SuperMusique, with lyrics written and provided by poet Roxane Desjardins which, given our admitted lack of knowledge of the French language, to us provide just another sonic layer without being able to dive deep into their meaning. This being said, the opening piece that is "Nous Etions Masques, Miracles, Empetrees Dans L'Enthousiasme" opens on a pretty intense, brooding and dissonant tip with its rumbling, low end-heavy Dark Ambient movements, sharp and somewhat angry poetry citations and nerve-wrecking dynamic bursts setting the vibe for the subsequent cut "J'espere Etre Absoute" following - as well as the rest of the album - on a similar path leading ever deeper into deepest depths and hidden subsurface vaults of what could be described as unsettling, explorative, nightmare inducing and unsoothing Avantgarde music, probably even crossing the fringes of sanity at times as far as proper 'ensemble music' might go for the untrained listeners ear, bringing forth spine-tingling scrapings, warped sirens blown over from afar, crossing barren lands whilst regular instruments - or better: regularly used instruments - only occasionally emerge out of hyper-dense sonic swamps before disappearing into the dark once again where joined by skittish creatures and ominous entities never seen by anyone, yet still being anchored as tell tale factualities in stories our elders have been told about many many centuries ago. This is album is a werkschau of contemporary Avantgarde of the highest order and sonic intensity, for a niche audience only and not to be consumed by fractured and broken souls for many a reason. Keep away from minors.

Album artwork on Instagram!

Maxx - Taxi Taxi [La Bomba Recordings 024 Promo]

Put out on the circuit via La Bomba Recordings as their cat.no. 024 on February 2nd, 2k25 is "Taxi Taxi", the latest digital two track single by Maxx - not the Maxx who advised against having sex with your ex though, even though this indeed is to be considered a reasonable train of thought. Opening with the title track "Taxi Taxi" we see Maxx on a short, yet hyper-positive Hard Dance tip, combining cheesy melodic synth sequences oftentimes associated with the Italian scene with stuttering beat sequences before entering full euphoria mode whilst providing a somewhat deeper, yet not less melodic House x TranceDance approach with "The Dreamer" which not only marks the second and final cut on this release but also will resonate with fans and followers of Italo- and IberoTrance of the 90s for a reason.

Hugo Race & Gianni Maroccolo - The Vigil [Gusstaff Records]

Scheduled for release via the Polish Gusstaff Records label on May 16th, 2k25 is "The Vigil", the latest collaborational album outing conceived by Australian PostPunk- and beyond legend Hugo Race and Italian producer Gianni Maroccolo who's been invlvd in the countries alternative music scene and the scoring of underground movies since the 80s. (Still) under the impression of the Covid-19 pandemic and its implemented regulations throughout the albums production period from 2k20 to 2k23 the core duo, alongside a few accompanying musicians, cooked up an eight tracks and 45 minutes spanning lonygplayer which starts from an angle of gritty, slow and Illbient-informed, PostPunk-infused Downtempo x TripHop which surely is about to resonate with fans of artists like Tricky at his darkest in the opening title track subsequently followed by the touching emotional ballad of "Phoenix" before "Soldiers" explores an intensely claustrophic fusion of Spoken Word and twangy, score-like, Morricone'esque backings. Furthermore "La Pace" provides a shimmer of hope at the horizon, backed by stumbling beats and hovering calm, beautifully arranged atmospheres whereas "Pandora" evokes faint memories of deep, almost beatless cuts by classic band outfits like Eyeless In Gaza. "Where Does The Night Go" weighs in a surprising turn as a captivating piano backed ballad before "Duru Duru" enters a realm of seemingly acoustic yet reprocessed guitars and raw abstract rhythms of doom before the final "Phoenix (Reprise)" waves goodbye in a score'esque manner, painting pictures of barren, desolate landscapes and grandiose mountain ranges for a closing. Highly recommended, this!

Album artwork on Instagram!

Stef.in - Icterus II [Barnyard Records]

Released via the Canadian Barnyard Records label on April 4th, 2k25 is "Icterus II", the second iteration of Stefan Hegerat's "Icterus" series - this time executed in a group setting with his band x group x ensemble Stef.in. Rolled out over roughly 37 minutes and a total of eight pieces we see the group comprised of two guitars, bass and drums embarking on a rather explorative journey into what could be roughly described as PostRock with a jazzy twist, bringing forth hyper-seductive, yet slightly off-kilter guitar melodies and harmonics rolled out over abstract, at times even fragmented, albeit somewhat groove-focused drum and bass work in the albums opener that is "Three Wars" with the subsequent "Here's To You" providing deep, yet twangy guitar textures backed by stripped down minimalist organic bass movements, "Dosage" seemingly meandering between elements of pre-medidated MathRock experimentalisms if those are a thing even and free floating Improv atop a foundation of slightly Dub-informed bass whilst the final cut named "Leave Unattended And Suffer The Consequences" waves goodbye on a short, yet intense MathRock note with a slightly psychedelic twist just to name a few. A highly complex affair, this one is, which probably is more suitable for experienced listeners than for untrained beginners.

Zark - 14 [Zarkon Records 014 Promo]

Put out on the circuit via the artist run Zarkon Records imprint on December 13th, 2k24 is "14", the fourteenth consecutive digital two track release cooked up by the labels head honcho known as Zark. Opening with "14.1" we see Zark on a highly experimental and explorative lo-fi tip fusing weird and skeletal, seemingly 3/4-sequenced electroid rhythm signatures with gritty, noisy quasi-Acid (Not Acid) modulations for fans of electro-acoustic and x or modular tone manufacturing whilst the subsequent cut that is "14.2" provides more of a deep and reverberating pump for heaving underground dancefloors, focusing on raw, primeval and Tribal-infused Techno paired with floating, ethereal synth movements whirling and whizzing through the stereo field, inducing a well hypnotizing, organic and ritualistic Trance state especially when played throughout the wee peak time hours of an almost neverending night out. "14.2" wins here.

baze.djunkiii Chart Haul 04/2k25

Sascha Müller - T8CID Traxx Vol. 1 [Psychocandies 125 Promo]

Out on the circuit via the long standing Psychocandies imprint on December 6th, 2k24 is "T8CID Traxx Vol. 1", another digital two track single cooked up for the label by Uelsen's finest underground sound maker also known as Sascha Müller. Opening with "T8CID A1" Mr. Müller provides a thrilling take on deep subdued Broken Techno backed by raw electroid snare sequences and slightly psychotic, braincell-twisting Acid modulations for the wee hours at illegal basement raves subsequently followed by "T8CID A2" which weighs in more of a muscular pump in its rather jacking groove, bringing back the dark side of relentlessy stripped down AcidHouse for a new audience and heavily vibing dancefloors.

Westberg / Udupa / Mazurkiewicz - Everyday Life Activities [Gusstaff Records]

Set to be put out on the circuit via the ever active Poland-based imprint Gusstaff Records on April 25th, 2k25 is "Everyday Life Activities", a new 40 minutes spanning three track album conceived by Norman Westberg, Indian ghatam master Giridhar Udupa and Jacek Mazurkiewicz. Opening with "Bend The Break" the musical triumvirate embarks on a journey into a realm of washed out repetitive Post-PostRock x Indietronica structures backed by slightly krautsy ritualistic polyrhythms and a certainly subaquatic dreamstate feel which is subsequently followed by "Spoon In The Jar", a trippy and well time-dissolving combination of whirling drones and ever intensifying retrofuturist bleeps of probably modular origin evoking fond memories of the early days and decades of experimental electronic music production. Finally we see the trio rounding off things with the 20+ minutes long piece that is "Everyday Apparel (It's Our)" which brings forth a well hypnotic take on droning Ambient in combination with skeletal, rudimentary rhythm sequences and eerie, spatial and truly outerworldy flutters buried deep within the mix like sonic traces of polydimensional beings wading through our four dimensional realm without ever fully revealing themselves. An album for deep medidations and dedicated Organic Ambient collectors. Recommended.

Oona Kastner - Memorial 6.0 [Umland Records 067]

Put out on the circuit via the Essen-based Umland Records label on March 20th, 2k25 is "Memorial 6.0", the latest full length vinyl album effort by The Dorf-member and accomplished solo artist Oona Kastner who teams up with Hartmut Kracht and Marvin Blamberg for the realization of this longplayer. Split into a total of eight parts, four on each side of the vinyl record, we see Kastner opening from an angle of tense and brooding ethereal DoomAmbient accompanied by her mystically floating vocals before progressing into dark and heavy Doom x SludgeMetal territories for onerous, post-apocalyptic days under dark leaden skies, bringing on heavy riffs, slowly creeping drums and droning electronic atmospheres as a backdrop for an intense vocal performance meandering between full on singing and an amalgamation of ritualistic speech and song resonating with one's shared human subconscious mind whilst especially "Part 3" evokes memories of certainly funky Metal x SkateMetal x Crossover sounds more prevalent in the early 90s, "Part 5" reveals a more classic, ballad'esque and TripHop x Jazz x NuJazz informed side of the trios sonic approach, "Part 6" weighs in (Post)Punk-infused Spoken Word rage alongside most brutal snare drums and an overall appetite for violence, despair and destruction before further progressing into fully sludged out territories whilst the militaristic stakkato drum precision of "Part 7" evokes faint memories of epic cuts like Portishead's uber-classic "Machine Gun" just to name a few. Quite a diverse and surprising album, this. Only for the headstrong.

Album artwork on Instagram!

Listen Again: baze.djunkiii presents Rave Age Volume 7 @ Radio Flouka / Paris (03.04.2025)

Radio Flouka راديو فلوكة · baze.djunkiii presents Rave Age Volume 7 - 03/04/2025

Pawel Szamburski - Dlugo, Dlugo Nic, A Potem Wszystko [Rope Worm 005]

Freshly released via the Warsaw-based Rope Worm label on April 4th, 2k25 is "Dlugo, Dlugo Nic, A Potem Wszystko", the latest longplay outing by Polish clarinet player and composer Pawel Szamburski who teamed up with the AUKSO Orchestra for the performance and live recording of this album on October 6th, 2k23 at the Auksodrone Festival in Tychy. With the seven part composition stretching out over the course of approximately 37 minutes we see Szamburski embarking on a deeply enchanted journey with the opening piece that is "Tafla / Surface", tapping into ancient memories of an unscathed, mystical world full of wonders humanities elders faced thousands of years ago with the lively and indeed "Wzburzenie / Turbulence" fully living up to its name whilst the foreboding "Cisza Przed Burza / Calm Before The Storm" perfectly captures the building tension which surprisingly isn't fully and finally unleashed in the lively, yet rather subdued "Burza / Storm" whereas "Pozegna / Farewell" falls back into full on Classical string romanticsm for those who know. Defo an album for the avid fan and follower of Contemporary Classical composition and a rather surprising release for the already musically diverse label.

Meat.Karaoke.Quality.Time. - Paradice [Umland Records 066]

Put out on the circuit via Umland Records as the labels cat.no. 066 as a limited to 75 copies 7" vinyl edition on March 14th 2k25 is "Paradice", the latest musical outing by Florian Walter, Jan Klare and Karl-F. Degenhardt under their shared collective musical alias that is Meat.Karaoke.Quality.Time.. With the title track "Paradice" on the A-side of this beautifully coloured and translucent single the trio delivers a fascinating take on highly experimental Cut-Up x Illbient Rave for out of control robots and cybernetic lifeforms incorporating basically everything from Plunderphonics to Vaporwave aesthetics, zapping laser guns, computer game sounds and densely layered sonic madness which initially can be quite overwhelming even for those used to hyper-detailed (Neo)Breakcore and similar niche genres. On the flip we see the groups very own AI entity known as π∆∞m∫ on remix duty for a track named "Robotler-Nejo", catering a similarly heavy, yet somewhat more structured, slightly more metallic and futuristic take on providing approximately a gazillion sonic events per microsecond which makes this one quite an intense experience for even the most advanced and HyperNoize-savvy listeners out there. Do not play to infants, children or anyone diagnosed with ADHD or severe forms of autism. This is likely to cause an absolute hell of a meltdown. Therefore: recommended.

7" artwork on Instagram!

Death-Static - Time Is Ignorance [Sound In Silence 119]

Another fresh album put out on the circuit via the ever expanding Greek label Sound In Silence on February 10th, 2k25 is "Time Is Ignorance", a six tracks and roughly 50 minutes spanning longplay affair cooked up by Leeds-based composer x artist Gareth S. Brown who's introducing his latest solo project with this one working under the artistic nom de guerre that is Death-Static. Aiming to capture the '...hopeless melancholy of the New Age movement...' according to the accompanying press release this solely hardware-focused project opens with "Final", presenting an ever repeating, yet slightly meandering set of minimalist melodic loops and sine modulations of analogue nature which, carefully layered as they are, over time provide a deeply comforting and soothing organic vibe, inducing a shift into a dream state of sorts with every new layer whereas the subsequent "Reentry" caters an emotionally touching ebb and flow of deeply felt Ambient melancholia followed by the floating harmonics of "Delay" which, in their solemn form, are evoking memories of church organs and introspective music for masses with what seems to be a chiming xylophone or piano adding a surprising Pop Ambient layer towards the tunes very end. Furthermore we see "Return" diving deep into almost Modern Classical-leaning solo Piano Ambient excursions whilst "Latent Body" seems to be based on a Field Recording of a huge swarm of tiny buzzing insects paired with calm and slow moving pads alongside occasional piano tones buried deep within the mix before "Ready" waves goodbye on a vintage note, coupling sustained harmonies with a simple chiming three tone motif to create the most nocturnal Deep Listening Music to be found on this album. A lovely listening experience, this.

Album artwork on Instagram!

3000 - Unrepeatable [Umland Records 065]

3000 are back. Or better - the group originally named 1000 is back with a new incarnation and a new album on Umland Records which has been put out on the circuit on October 1st, 2k24. This time we see Bart Maris, Jan Klare, Wilbert De Joode and Michael Vatcher working in a quintet setting alongside trombonist Steve Swell, catering a set of two extended improvisations on "Unrepeatable". Their new longplayer, a roughly 50 minutes spanning affair, opens with "Hands" which presents a backing of thundering, yet skeletal drums as a foundation for floating brass lines and intricately layered, oftentimes detailed dialogue between various wind instruments which is in parts completely free whereas other sequences are operating with the confines of 'regular' Jazz rules whilst the subsequent "Tongues" sees the quintet working and playing on a deeper level with still sparse drums subdued in the background of the overall mix, hints of nocturnal melancholia as well as rather sustained tones even though phases of non-tonal experimentation and x or controlled agitated quasi-chaos occur throughout. One for the advanced Improv connaisseur, this.

Album artwork on Instagram!

baze.djunkiii Charts 04/2k25

01. Monopass - Sounds Real [Umland Records 064]
See review for details...

02. Moin - You Never End [AD 93 082]
Although we've lost a lot of respect for the label after rebranding from Whities to AD 93 for questionable reasons and preemptively giving in to woke pressure which - to our understanding - hadn't been put on them, yet still continuing to use the WHYT 0xx catalogue numbers in the deadwax engravings, this album is an undeniable gem, catering a fascinating amalgamation of MathRock and raw PostRock garnished with sprinkles of PostPunk-infused Indie recorded in the confines of a lo-fi basement studio tucked away in some undisclosed rundown suburb. If you still remember projects like Village Of Savoonga you're in for a treat here.

03. Sascha Müller & Das KNO [Proper Baby Cuts 001]
See review for details...

04. Sascha Müller - Rumble In The Jungle [Proper Cuts Recordings 006]
See review for details...
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Julien Demoulin - A Trial Of Distances [Sound In Silence 120]

Put out on the circuit via the Greek Sound In Silence imprint on February 10th, 2k25 is "A Trial Of Distances", the fourth full length album cooked up for the label by French born, Brussels-based producer Julien Demoulin. With the first part of the roughly 60 minutes spanning album being actually comprised of Demoulin's "A Trial Of Distances Pt. 1 - 3" which sees the artist exploring a comforting, classic and time dissolving take on Ambient with Kelly O'Donohue providing additional washed out brass textures of which especially the flugelhorn adds a certain depth and melancholia with "A Trial Of Distances Pt. 3" even touching base with echoes of twangy New Age for hot hawaiian summer evenings the second part of the longplayer weighs in a set of three remixes which is quite a new direction for releases on Sound In Silence. This being said, the rework provided by HTDC takes things to a slightly calmer, deeper and more emotional level with a certain focus on O'Donohue's contributions which are more present and put to the foreground in comparison to the original composition whereas "A Trial Of Distances *.Foundation Rework" brings on a brooding, Drone-based take on electrical buzzing and gravitates more towards the Dark Ambient spectrum in general before the final, more than 30 minutes long Zake Remix caters a longform blueprint for timeless and time-dissolving glacial Ambient mist in 2k25. Lovely.

03.04.2025 baze.djunkiii presents Rave Age Volume 7 @ Radio Flouka / Paris, France

Welcome to the 90s. Welcome to Rave Age. For this months show Hamburg-based Radio Flouka-resident baze.djunkiii opens his unending vinyl archives once again, this time providing a captivating tour the force through a selection of original Rave and Techno bang0rz, brain-melting MonoAcid cuts from the deepest underground as well as beloved AcidTrance anthems which will bring back happy memories for all those who remember innocent, yet highly ecstatic dancefloors, a barrage fire of strobe-lights and soaked bodies moving freely and relentlessly with absolutely no smartphones in sight.

decks: baze.djunkiii [Intrauterin Recordings / Carsharing Tapes]

file under: Rave / Trance / AcidTrance / Techno

transmission time: 22oo - 23oo GMT+1

get locked via Radio Flouka
Paris

Alberto Popolla - Really The Blues [Aut Records 120]

Another fresh one put out via the ever expanding Aut Records label on January 8th, 2k25 as the imprints cat.no. 120 is "Really The Blues", the latest full length album effort by Italian clarinet player Alberto Popolla who, over the course of 13 pieces and an approximate runtime of roughly 52 minutes, takes on an array of original Blues-leaning cuts from artists like Randy Weston, Louis Armstrong, Eric Dolphy, Jelly Roll Morton and others, tackling them with his instruments of choice, the tapping of his foot and what is described in the accompanying press release as a 'pedalboard of objects' and turning them into a set of inward-looking, Blues-infused Jazz pieces for night late listening, with Randy Weston's "Anu Anu" being one of the most expressive and probably thought provoking of the bunch for us whereas Popolla's approach to Blind Willie Johnson's "Dark Was The Night, Cold Was The Ground" seems to be both informed by Minimal Music and echoes of partly grating nocturnal DarkJazz whilst Jimmy Giuffre's "Cry, Want" is as tender as it gets in this context and Milt Jackson's "Bags' Groove" is clearly flirting with influences of old time Jazz just to name a few. A quite interesting affair, this. Go check!

Album artwork on Instagram!

Gianni Mimmo / Ove Volquartz - Say When [Aut Records 118]

Released via the ever expanding Jazz x Free Improv and beyond imprint that is Aut Records as their cat.no. 118 on December 8th, 2k24 is "Say When", the latest collaborational album effort cooked up by Gianni Mimmo and Ove Volquartz. Combining the sound of soprano sax, flute and bass as well as contrabass clarinets over the course of six extended pieces and a total playtime of roughly 50 minutes the Italo-Germanic duo starts with a fascinating instrumental dialogue blurring the boundaries between enchanted score works and skittish pixies, elements of Modern Classical composition and lively Improv with a notion of tongue-in-cheek Jazz in the not so reluctant opening cut "Stay Reluctant" subsequently followed by the ethereal and playful beauty of "Athena Amidst The Olive Trees" which reveals the calmer, deeper, yet not less thrilling side of the duos ever flowing and meandering creative works whereas "More Than One Threshold" explores a more droning, nocturnal and solemn attitude in Jazz slightly referencing, yet not diving deeper into DarkJazz for many a reason, just to name a few. Defo an album to check out for the dedicated Jazz x Improv collectors out there.

Album artwork on Instagram!

baze.djunkiii Chart Haul 03/2k25

Monopass - Sounds Real [Umland Records 064]

Put out on the circuit via the ever expanding German Umland Records label on November 15th, 2k24 is "Sounds Real", the first full length album outing by the synthesizer-, theremin- and live processing-based artistic conglomerate operating under the name of Monopass. Comprised of Oxana Omelchuk, Luis Antunes Pena, Mark Polscher and Florian Zwißler the electronic ensemble serves two extended pieces on this one - "Rea Ranch" and "Sonara Junction" - which both embark on a dedicated journey into the realm of experimental electronic music with the A-side fully indulging in dense and ever bubbling atmospheres reminiscent of damp alien swampscapes densely populated by swarming metallic insects and other curious, yet unknown critters before further evolving into a stripped down take on Deep Listening Music and minimalist Ambient informed by both modular and electro-acoustic techniques only to end in a captivating whirling climax of densely layered sounds. On the flip Monopass are weighing in a more intense approach with an intro sequence resembling an unsynchronized array of different retrofuturist alarm tones and a swell of sirens immediately shifting the listeners nervous system into what could be described as high alert mode before adding unsettling distorted and washed out elements as well as ever intensifying tonal pitches building up to a spine-tingling peak which is slowly falling apart again, ending things on a rather deep, desolate and somewhat melancholia-infused note and therefore also ending up as our preferred cut of this highly recommended vinyl piece. Go check!

TZESNE - QnoisenoCARRIER

Drone Records · TZESNE - QnoisenoCARRIER

More buzzing experimental goodness from the Drone Records camp, this time catering to dedicated fans of densely layered Noize pulses.