Tuesday, November 21, 2017

Ben Wood Inferno - Wilder Wilder Faster Faster [Sumo Rex 010]

Incoming only recently was "Wilder Wilder Faster Faster", the October-released album by the band outfit named Ben Wood Inferno put on the circuit via Sumo Rex which already kinda puzzled us for a reason throughout the process of opening the letter it came with on camera. But no matter what, let's talk a little bit of music here. As the album artwork kind of indicates there's more to this album than it just being pure Rock'n'Roll as stated in the album info. According to the wild and dark'ish black and purple graphic design and imagery we get a 38 minutes serving of Rock'n'Roll in its wildest and most untamed form, a raw vision of Garage-induced ProtoPunk and teenage rebellion weighing in undeniable hits like "A Few (More) Monkeytricks", the Grunge vs. Funk vs. Crossover anthem "Sway" which is probably the main and most catchy tune on this album for all angsty skate kids and cool as fuck off-mainstream youths drinking beer and smoking bongs as well those having followed the SkateMetal and Alternative scene in the early 90s whereas "Marching Off To War" features impressive Ska-/ Reggae-influences and a killer groove for all distortion lovers galore. "Shakin'" weighs in more Ska-infusions and classic Garage Rock, "Stroke Index Serenade" merges FreakBlues and FreeJazz before "I Never Liked You Anyway" provokes a proper bar fight and the concluding "Trashedy" is another 8 minutes of Lo-Fi mayhem for underground venues packed with genre specialists. Surprisingly good and way better than expected at first sight.

Hainbach - Cymbal Crush

Who said that Trance is dead? This crystalline beauty proves that it surely isn't.

Monday, November 20, 2017

Astrid & Ephraim Wegner - Feldstudie Göppingen: Eine akustische Kartographie in 4 Teilen [Verlag Kunsthalle Göppingen]

One of the most conceptual and abstract releases we've reviewed on these pages within the past months is Astrid & Ephraim Wegner's "Feldstudie Göppingen" which has been released in October 2k17. Based on the concept of so-called 'sound walks' the pair developed, timed and composed multiple traces through the town of Göppingen on which one-take Field Recordings were made for a specific period of time on specific locations or in transition, only to be later layered, edited and partly warped through granular synthesis - resulting in a three channel sound installation on display at the Kunsthalle Göttingen from October 3rd to 23rd, 2k16. Mixed down to stereo for this release we're taken into this unique sonic realm, experiencing both a time capsule of multiple real life sound events at a specific point in time as well as their artificial alterations and warped aliasses, accompanied by extended booklets, photographs and detailed graphs explaining and complementing the sonic work to a certain level which, in a well fascinating form, meanders in between Musique Concrete, Field Recordings and intense, highly experimental Electroacoustics. Proper good stuff for the abstract minded. 

Saturday, November 18, 2017

Skeptical & dBridge - Poor & Poverty

Minimalist, yet bass heavy deepness from the Exit Records-camp. We're in for this.

Friday, November 17, 2017

Ziur - U Feel Anything? [Objects Limited / Planet Mu 391 Promo]

Released in early October as a collaborative effort of Mike Paradinas' Planet Mu-imprint and Objects Limited is Ziur's debut album "U Feel Anything?", a twelve track effort showcasing the musical realms the Berlin-based Boo-Hoo-founder lives in. Opening with "Life Is Not A Commodity" we're entering an eerie, haunting and captivating Ambient sphere influenced by (Neo)Cosmic and dominated by various layers of warped, sped up vocals bits sounding like alien transmissions from the far out corners of the cosmos whereas the following title track presents an arrangement comprised of precise Electronica / Breakcore-crossover and glitched, crystalline melodies accompanied by warm, analogue bass tones. The next tune gets us "Soaked" in electronic fairy dust whilst following the direction of its predecessor, "Body Of Light" - a collaboration with Aisha Devi - sees Ziur exploring ethereal, outerworldly Pop spheres and haunting, yet deeply touching overall vibes before "Cipher" causes havoc on the dancefloor with its killer fusion of glitched beats and advanced contemporary bass music. Listening to "Moonlight" is more of an abstract, in parts even Ambient / IDM resembling affair of only 68 seconds length, "Rituals Of Passage" comes across as an angsty Industrial soundtrack for a nightmarish, ritualistic transition into the realm of the dead, "Don't Buy It" picks up an Industrial Dubstep / Industrial Grime vibe delivering complex rhythm signatures and shreddered rave signals whilst "Laughing And Crying Are The Same Thing" featuring the Swedish singer Zhala fuses a dark bass music foundation with more of an uplifting, playful and innocent attitude in terms of vocal performance - a mixture of a highly seductive nature turning this into a possible underground uberhit. The next tune sees Ziur being "Drawn" towards a more cold and scientific approach towards Future Bass Music of an epic, and even slightly romantic, kind, the short snippet "Arise" is an excursion into digitally created Rhythm Industrial and the final cut "Fractals" is a heavy rollercoaster ride comprised of hefty stop'n'go beat arrangements, a BigBeat-feel on tilt mode, beautifully sculpted atmospheres and microcuts of electric guitar riffs for the headstrong. Coherent abstraction in here.

Wednesday, November 15, 2017

Erland Dahlen - Clocks [Hubro Music]

Put on the circuit via Norway's Hubro Music in early September is "Clocks", the latest album effort catered by Spellemannspris-nominee and highly active musician / composer Erland Dahlen who is coming at us with six new tracks comprised of sounds taken from or created by sources as droneboxes, log drum, knives and forks, mellotron, marbles on metal plates and many others which are spread out over a total playtime of 39 minutes. The opening title track provides quite a dense scenic atmosphere meandering in between Ambient and Electronica whilst catering a krautsy feel which is kinda comparable to early releases of the Moritz Von Oswald Trio, "Glas" presents more of an early morning, pre-dawn calmness in terms of atmosphere which is nicely contrasted by complex, stumbling and nearly incomprehensible rhythm signatures and tender guitar works whereas "Ship" comes up with a massive 80s drum aesthetic and an overall feel influenced by what we'd refer to as epic Progressive Glam Rock on a contemporary tip - think Pink Floyd here, but only in parts. The "Bear" brings more large scale 80s drums and Ambient Prog Rock vibes, "Lizard" - remixed by Hallvard W. Hagen - is built around a repetetive synth loop motif, eerie retrofuturistic beauty and more rhythmic complexity whilst the final cut "Wood" amalgamates Field Recordings, ambient'esque atmospheres and droning guitars for an excellent closure that is about to please both fans and listeners from various sides of the musical spectrum. And so is the whole album which therefore is recommended to a wide range of open minded music lovers.

Album artwork on Instagram!

ORI - 1986 [Filter Music Group]

Recently released via Berlin's Filter Music Group is "1986", the sophomore solo album by the Berlin-based producer Ori Alboher a.k.a. ORI who's appeared on these pages with his new video for "On The Floor" lately, a Future R'n'B cut which has been taken from the album as well. Originally hailing from Jerusalem and regarded as hot, yet underground insider tip amongst those in the know within the local scene ORI started to built a reputation, sold out shows and was even discovered by the makers of the US TV series "Shooter" which used his single "Black Book" on the score - a big turning point for the young artists career. Going into the album with the sparse, yet romantic Synth'n'B cut "Incubate" ORI paves the way for things to come, following a "Path" of abstract, captivating HipHop beats and lovely pads whereas "Solo" explores ORI's great vocal abilities atop a super stripped down Future R'n'B foundation. "There's No One Else" opens with bits and pieces of a French conversation, human beatbox based beat and a seductive bass lick reminiscent of Lou Reed alltime favorite "Walk On The Wild Side", the epic "Black Book" is a blueprint of 4/4-based Future Soul and defo, even apart from its TV success, a cut to be embraced by both more of a mainstream audience as well as Slow / Romantic House lovers whilst the title track "1986" weighs in 41 seconds of reverberating experimentation in haunting Ambient spheres and Field Recordings before seamlessly transitioning into "W.H.W.T.O. (feat. Golden Ego)" and its carefully layered backward loop structures and multiple, warped vocal layers. Being "Half Human" means to serve stripped down, subaquatic, psychological drama, surface noise loops and mind-bending vocal alterations, the "Pulse" caters nothing but deepest, most haunting slo-mo atmosphere and lovely piano lines for WitchHouse and Mutant HipHop lovers before the final "Parachute" brings back precisely crafted beat wizzardry for 808-lovers and melancholia-craving Downtempo headz.     

Album artwork on Instagram!

Tuesday, November 14, 2017

4ZZZ1 - Here We Go EP [Psychocandies 060]

Scheduled for November 23rd, 2k17 via Psychocandies is the latest four track single by the well mysterious artist 4ZZZ1 entitled "Here We Go EP". Opening with "We Go" 4ZZZ1 takes us straight onto the dancefloor, covered by a wildly moving mass of ravers going crazy to raw, unprocessed and distorted rave / hoover signals and a heavy emulation of the sound of Belgium ca. 1991 whereas the "Manager" is on a deeper, more stripped down Techno Rave tip weighing in a straightforward attitude and a carefully modulated main motif alongside bubbly bits of Acid. Following up is "Elektroturbine" which captures our attention with a well-fascinating intro sequence and quite a feel for proper Electro Phonk garnished with lovely Acid pieces whilst the final cut "Eject The System" enters more experimental territories in providing a glitched vision of deep, stripped down Electro / Electronica crossover which is defo a great thing for advanced dancefloors out there.

Monday, November 13, 2017

Rafael Toral - Moon Field [Room40 Promo]

Released via the Australian Room40 imprint in early October is "Moon Field", the latest album by the 1967-born and Lisbon-based composer Rafael Toral who has been active on the music circuit since the mid-80s. With "Moon Field" he serves a trio of connected, previously unreleased tracks opening with "The Stars" which is quite an intriguing amalgamation of static background noise, electric piano, bits of Space Jazz and what seem to be modular sounds resembling funny chirping and tweeting extraterrestrial animal sounds that could come from beings similar to the space monster seen in John Carpenter's "Dark Star". Furthermore we see "The Horizon" come up with a seamless transition and continuation of its predecessors theme although providing a slightly different, static and isolationist feel and a distinct hint of ultimate sad- and loneliness despite falling into the Ambient drawer genrewise, even serving what could be identified as ethno flutes from around minute six onwards, whereas "The Field" comes in on more playful, partly even tongue-in-cheek note, emphasizing on more uplifting piano tones and happy, twisted and sometimes weird bleeps over the course of its nearly fourteen minutes runtime. Good stuff.

Saturday, November 11, 2017

Sascha Müller [Sascha Müller Music 1000025]

To be released on November 22nd, 2k17 is Sascha Müller's latest digital two track single bringing us the tunes "Digicult" and "Stigma". Whilst the first mentioned tune caters an excellent and timeless take on beautifully arranged and tenderly floating Trance music that's timeless we see the second cut explore raw and experimental Techno territories paying homage to the feel of many unpolished releases of the genres early years ca. 1991 to 1993 when there were no rules about how a proper Rave / Techno track should sound like and ppl were still able and willing to push the genres boundaries a little bit further with every release.

Friday, November 10, 2017

Sequoyah Tiger - Parabolabandit [Morr Music 157 Promo]

Released via Morr Music on October 27th, 2k17 is "Parabolabandit", the first ever studio album put on the circuit by the Italian songwriter and singer Leila Gharib under the name of Sequoyah Tiger. Comprised of ten songs the artist caters quite an eclectic array of musical outings starting with the deep and tender Synth-driven ballad "Another World Around Me" providing a bit of retrofuturist romanticism whereas "Punta Otok" rides on a sweet Cosmic Indie Wave to set dancefloors in motion and "Where Am I?" weighs in distinct yet spaced out Easy Listening / Exotica influences somehow reminding us of  the works of Felix Kubin whilst "Kill The Robber" gets into the realms of well-twisted Stadium Pop with a slight hint of Boney M., kind of. With "Sissi" we see Sequoyah Tiger explore Beatles-resembling Beat ballads, "A Place Where People Disappear" takes those dissolving souls straight to an off-kilter, over the top ElectroPop / Indieelectro dancefloor and "Cassius" gets back into worn out Easy Listening realms featuring cheap drum machines and kitsch-dripping vocals for those in the know. Furthermore "Lemur Catta" dabbles with shifting multiharmonies and overcompressed sequences, "Brother / Brother", a collaborational effort with Black Fanfare, seems to fuse influences drawn from Drum'n'Bass with trippingly intense vocal and choir layers and the final cut named "Brilliant One" is defo a sweet take on Folk-inspired earworm creation and therefore our favorite song on "Parabolabandit" which is an album that's coherent, yet all over the place. 

Album artwork on Instagram!

Candice Gordon - Garden Of Beasts [Proper Octopus Records]

Put on the circuit in early September via Proper Octopus Records is "Garden Of Beasts", the debut album by Candice Gordon who is, in parts, dealing with her Berlin years on this one. The full body of work is comprised of thirteen songs including the highly seductive Wave / Postpunk blueprint "I Belong To The Night" which has already been featured on these pages earlier this year. Building up tension with the instrumental "A Herd" we see the internationally raised, Ireland-born artist unfold and ethereal mysticism with the captivatingly longing "Smoke In The Air" whereas her "Hive Mind" comes up with a sweet, highly syncopated rhythm structure alongside off-rhythm guitar loops which suddenly turn into a killer PostPunk / Indie smash for the well-agitated and depressed and "Nobody" makes our heads fast bop to Country-infused uptempo Indie covered in Candice's yearning, echoeing vocal performance for a reason. "The Child" shows of her softer, ballad'esque and melancholia-infused side before exploding into a raw rollercoaster of pure energy, "Tomorrow" weighs in Folk-infused singer / songwriter qualities as well as big time romanticism whilst "The Kill", a fascinating skit in its own right, weighs in enough eerieness to be included in any psychologically deep horror score before the distorted "Freedom, A Beautiful Illusion" fuses a bluesy DesertRock twang, marching drums and heartfelt, melodic Folk lyricism to a great, anthemic effect which makes this one one of the main tunes of the entire album. Following the "Laws Of Nature" to near the seven minutes mark we're crossing lovely AltPop meets Goth meets PostPunk territories, the "Goddess Of Mercy" is depicted by another well calming Folk inspired episode followed by the Flute-led, slightly Prog-flavored snippet of "Flacks" leading into the final cut "In Golden Dreams" which is a fine, melancholic Pop bit sporting loads of deep twang guitars to accompany one whilst staring into the setting sun on a beautiful summers day. Proper, this.

Album artwork on Instagram!

Thursday, November 09, 2017

Fixxxer Acid - Acid Fractal [Psychocandies 059]

Recently released via Psychocandies in late October, 2k17 is "Acid Fractal", the first full on album by the labels new signing named Fixxxer Acid who presents a fresh take on the imprints mostly Acid focused vision. The opener "Acid Wijf" amalgamates raw, untamed drum works with a spiralling, jumpy AcidTrance feel, "Acid Circulation" presents a well mysterious, ethereal take on AcidCore for fairy dust covered raves in enchanted woods, "FLAcid p4" weighs in more overly compressed drums and nerve-wrecking PsychoAcid whereas "Acid Crank" re-introduces sawtooth signals and twisted synth bleeps to todays young raving crew. Following up is "Acid Crank A3", another hard, trippin' AcidRave excess catering multi-layered synth lines and heavily reverberating drums somehow reminding us of the works of 90s Rave acts like RMB in terms of sound, "Acid Fusion" represents more of a fast pace TribeTekno attitude whilst the "Acid Virus" turns out to be a short, slow and heavily compressed showcase snippet of how much damage can be done on the dancefloor with just a drum machine and a 303, "Acidbom" is nothing short of a proper high-octane Rave anthem, "Acidcore To Hardcore" follows exactly the path announced by its title in a well complex, spiralling manner whereas "Acidpath 3" is more on an eerie, haunted Dark Rave / Hardcore tip whilst "Acidpath 4" is more of a rhythmically adventurous trip into experimental Acid realms. Towards the end we see "Baccid" causing massive havoc on Hardcore-related floors and the final "Highway To Acid" is more like a highway to wildstyle and destruction in terms of HardAcid chaos for sure. Good stuff!

Wednesday, November 08, 2017

ORI - On The Floor (Official Video)

Is this the future of Future R'n'B ? Far out stuff from Israel!

Tuesday, November 07, 2017

baze.djunkiii Charts 11/2017

01. Sofa Surfers - 20 [Monoscope Productions 001]
See review for details...

02. C Cat Trance - Screaming Ghosts [Emotional Rescue Recordings / Malka Tuti]
Re-issues for the win. A great twelve track compilation presenting a selection of original C Cat Trance productions taken from releases put on the circuit via Ink Records in the years 1983 - 1988, including the epic and well recognized anthem "Shake The Mind" and classic tune "Rattling Ghosts" from which one of the most significant samples ever used in Jungle / Drum'n'Bass was taken. Overall, a massive fusion of partly instrumental PostPunk and Wave, Proto NuBeat, elements of Dub and loads of ethnic, especially arabian / oriental influences which remains unique, relevant and one of a kind up to this day.

03. Hellfish - Kildem [Deathchant Records 083]
With its 83th release Deathchant Records remains a well reliable force on the Hardcore circuit, combining hard punching drums and their deep, brutal trademark sound aesthetics with a more cheesy, uplifting and playful tongue-in-cheek attitude this time that's able to put a smile on every Hardcore ravers face, even in the darkest hours of the night.

04. Kenji Kawai - Ghost In The Shell (Original Soundtrack) [We Release Whatever The Fuck We Want Records 017]
Epic score is epic - even for those who haven't seen the movie or are not related to manga / anime culture. The first official vinyl release of the "Ghost In The Shell" soundtrack provides much more than the well known and oftentimes sampled choir bits which will be recognized by many but also great moments of classic Ambient music for those who like their ChillOut music on a deep and organic tip. Highly recommended.

05. Mella Dee - Woodlands EP [Warehouse Music 002]
Three untitled tracks on pink, stamped whitelabel vinyl here with whom Mella Dee brings back a distinct, high-octane Techno vibe with an ecstatic, looped Tribal Rave twist alongside ecstatic vocals on the A-side as well as more ravey vibes and even a twist of deep Acid Trance on the flip. Lovely.

06. Gundam [Goon Club Allstars 005]
File under: complex, instrumental Grime riddims with a well uplifting, positive attitude which are both kinda hard to play out due to their mid-range focused aesthetic and more Electronica-flavored vibe.

07. Various Artists - Mix The Vibe: Louie Vega Sampler EP 1 [King Street Sounds]
Did I mention before that I'm on an oldskool House tip these days? Four great tunes by Groove Box, Basil, Kerri Chandler and Blaze presents UDAUFL feat. Barbara Tucker are taking us back to a time as far as 1996 but also provide more contemporary vibes found in the mid-noughties. One for those who love their House organic, groove-oriented, partly vocal covered and most importantly sexy as hell. 

08. Arketi-Ray - From Ever Since [Jahmoni Music]
See review for details...

09. Round One - I'm Your Brother [Main Street Records 002]
Classic House music is my jam these days and therefore it was about high time to finally add this DeepHouse masterpiece to my collection, one of the great, highly heart-felt and emotional tunes released via the Hard Wax / Rhythm & Sound / Basic Channel-camp back in the days and remixed by Ron  Trent and Chez Damier on the flipside. Must have and still working well whenever played out.

10. Stein Urheim - Utopian Tales [Hubro Music]
See review for details...

Monday, November 06, 2017

Le Crabe & OptimisGFN - S.A.H.D.

The deepest, most emotional MutantHipHop tune one can ever think of? You've found it. Right here.

Saturday, November 04, 2017

11.11.2017 Bass Spezial @ Rote Sonne / Munich

full line up: 

Ikonika [Planet Mu / Hyperdub / London]
Danny Scrilla [Civil Music / Cosmic Bridge / Munich]
Top Shotta [Ruffhouse / Munich]
baze.djunkiii [Intrauterin Recordings / Jahmoni Music / Hamburg]

doors: 11PM
adm: 12€

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Rote Sonne
Maximiliansplatz 5
80333 Munich

Chra - Cognitive Ease

Well fascinating digital Dark Ambient / Electronica textures to be released via Editions Mego in early December, 2k17.

Friday, November 03, 2017

Martin Küchen - Lieber Heiland, Lass Uns Sterben [Sofa Music]

Put on the circuit via Norway's Sofa Music on September 8th, 2k17 is Martin Küchen's most recent album entitled "Lieber Heiland, Lass Uns Sterben", a thirtyfive minutes five track piece opening with the title track which is a siren'esque, yet distorted and saddening fusion of wind instruments and harsh, electronic Noize whereas "Music To Silence Music" follows a similar, more lively path with a hint of percussion and elements of Jazz around the corner. Following up is "Purcell In The Ethernal Deir Yassin", providing more of a droning, Ambient-influenced approach sporting oriental bits and echoes of what could be EthioJazz-infused melodic structures and haunting ghosts of fading operas whilst "Ruf Zu Mir, Bezprizoni..." caters tender piano melodies contrasted by harsh, non-tonal experiments on wind instruments and the final, epicly named "Atmen Choir (I Det Stora Nedrivna Rummet Met Bortvända Kvinnoansikten, Skylda Av Veck; Bortsparkat, Ihopföst Segel. Krossat Rött Tyg Stelnar I Vinterkylan...)" brings in scattered, rasping signals travelling through the stereo field atop an irritating, non-identifyable musical recording appearing in the very background to sensitive ears only. Good stuff, this.

Album artwork on Instagram!

Massacooramaan - Batwings

This might be the darkest, most eerie exploration of bass music realms we've heard in ages. Massacooramaan is on top of the game with this one!

Thursday, November 02, 2017

Nicola Ratti - The Collection [Room 40 Promo]

Released on October 6th, 2k17 via Room40 is Nicola Ratti's most recent album "The Collection", a fourtyfour minutes and nine tracks journey that doesn't follow a set preconception but represents the results of the artists experimentation over a certain, well stretched out period of time - the only framework given for what is "The Collection". The opening tune "L2" combines an overall droning atmosphere with a scientific, yet uplifting Electronica rhythm foundation that is able to make single cell structures and non carbon based lifeforms dance and wiggle in faraway parts of our universe, "L6" comes with a slightly darker, yet similarily precise approach and "r402" seems to fuse a minimalism defined by the Clicks'n'Cuts genre with the warm, dubby feel of Pole and / or works released by the former Berlin-based label Digital Kranky to a comforting and defo well calming effect, even when the tune shifts towards a livelier edge throughout its course. Going into "L4" we're entering realms influenced by stripped down Electronica Dub performed in endless voids, "L1" takes us into sonic spheres of experimental, fast paced Dub- and BrokenTechno whilst "r40" represents Nicola Ratti's take on Ambient / Deep Listening, a hypnotic, repetetive approach sporting slow sub movements and the sounds of alien swamps. Furthermore "L8"  caters a more releaxed, laid back and kinda tropical Electronica vision, "r401" takes us back to the lost void and its endless, ever branching cavities and the final cut "L7" combines deep sea radar echoes with tender signals from a distant, seemingly reprocessed piano to a beautiful, relaxing Ambient effect for a sweet closing. Lovely.

Sascha Müller - Freedom Transponder [SMSM 016]

Put on the circuit on October 26th, 2k17 is Sascha Müller's most recent digital single effort, containing the two tunes "Freedom Transponder" and "Love Games". Whilst the title track takes us back to the the era of fast, stirring HardTrance and strobe-lit warehouse raves we see the second musical outing provide more of a raw, Progressive-infused TechTrance feel with a slightly psychedelic vibe for all full-on full moon floors. Sweet.

Wednesday, November 01, 2017

Renato Cordovani - Cordonbleux At NOF [Aut Records 036]

Put on the circuit via Aut Records in June, 2k17 is "Cordonbleux At NOF", the first album crafted by the Italian producer and composer Renate Cordovani for the imprints catalogue. Recorded live at the NOF Gallery in Firenze in May, 2k16 the eleven tracks on this album present quite a leftfield approach towards the traditions of Jazz and Brass, weighing in hefty portions of both styles, although served with a little tongue-in-cheek attitude, whilst bringing in bits and bops of Free Improv or even gravitating towards a Film Noir'esque feel like in the beautifully arranged "24/12/1946", FreeJazz in "M.I.A. Con... Manico" or spine-tingling string vibrations introducing an outerworldly Bebop Swing in "Dissolution" whereas a tune like the furious "Contorsion" provides wild and storming action and havoc nicely contrasted by assortative melodic elements and a surprisingly mild plot-twist occuring throughout the mid-track breakdown. Not the easiest album to digest but a thrilling ride for die-hard jazzists for sure.

Album artwork on Instagram!

Audiac - So Waltz [Klangbad Promo]

It's been a while. Fourteen years, to be more exact. Fourteen years since the Hamburg- / Augsburg-based duo Audiac released their first ever album named "Thank You For Discussing The Outside World" and it has taken its members Alexander Wiemer Van Veen and Niklas David more than a decade to finally finish their sophomore longplay piece, supervised throughout all these years by Faust's Hans-Joachim Irmler and put on the circuit via Klangbad in late October, 2k17. Comprised of ten songs we see the pair moving away from their roots in TripHop / Downtempo over the course of the full distance, steering towards a highly melancholia infused interpretation of crackling, romantic vintage sounds and soulful ballads, built from a foundation of piano and vocals, harking back to the traditions of Jazz and Soul, crooning Broadway arrangements as well as heartfelt intimacy and longing, score'esque arrangements and a unique, slightly distorted aesthetic that seems isolated from each and every thing to be found on the market these days which alone makes "So Waltz" an album that sticks out and can be appreciated by a wide range of music lovers way beyond the labels usual, more experimentally focused audience. 

Tuesday, October 31, 2017

DJ Tre - It's House Hybrid

What about a superdry Juke / Jungle fusion for some late night dancefloor destruction?

Monday, October 30, 2017

Pauline Anna Strom - Energies (Offical Video)

Beautiful, retrofuturiust synthesizer music created somewhat in the mid-80s, now brought to us by the RVNG Intl. imprint in November, 2k17.

Massacooramaan - Fossil Water

Heavy bass experimentalism from the Fade To Mind-camp.

Sunday, October 29, 2017

Kind & Kinky Zoo - Hurricane Train *Soulbrigada Remix (Official Video)

Some proper dope instrumental Funk released via Hamburg's Legere Recordings. We're in!

Saturday, October 28, 2017

Soshi Hosoi - Mister Diviner (The Majhong Touhaiden)

Taken from a collection of early and pioneering video game music soon to be released via the ever active Hyperdub-imprint. This one's for the nerds out there.

Friday, October 27, 2017

Various Artists / Acid Pauli - Es War Einmal Indianerland (Original Motion Picture Soundtrack) [Ouie Promo]

What happens if a movie director is working on his new project whilst being highly influenced by the musical works of one specific DJ / producer throughout that time? This is a question answered by the original motion picture soundtrack "Es War Einmal Indianerland"  accompanying the movie of the same name by director Ilker Catak who was listening to the works of Martin Gretschmer a.k.a. Acid Pauli quite a lot when working on the script for his most recent feature film and therefore asked the German producer to contribute to and write the score for the whole movie which he did, alongside a few fellow producer friends like Pupkulies & Rebecca, Mooryc and others. The result is a journey through 27 pieces, some of them skits taken from the movie, some (Neo)Classical Synth Ambient works like Acid Pauli's "Wilhelm Tell" but for the majority of the tunes on here are pretty much dancefloor-infused, incorporating loads of elements of what has been popularized in electronic music from both ends of the spectrum by venues like Berlin's former Bar25 and its successors, labels like Burlesque and also DJ's like Ricardo Villalobos or Shantel - the amalgamation of dancefloor oriented 4/4 structures of a regularly slow kind, think: SnoreHouse etc., and polka, klezmer, shuffle and bits and bops of turkish and oriental music. A fusion which, although we recognized its rising popularity even amongst folks not necessarily fond of regular electronic club music, musically never did anything for us at any point in time and still is filed in the category of  'never even touch with a ten foot pole' which this score isn't able to change at all. Even though all of this music is well-produced and  might make perfect sense in the context of the movie as an album in its own right it is way beyond musical our comfort zone and therefore not our cup of tea at all. And we presume that a lot of our readers will feel the same way.

O3 - Naturaleza Inerte

Beautifully droning Ambient brought to us by the Norwegian label Sofa Music.

Thursday, October 26, 2017

Sascha Müller - Motherfuckin House Dancer [SMSM 015]

Fresh on the circuit is Sascha Müller's latest digital single release named "Motherfucking House Dancer" which is catering two variants of the title tune. Whilst the so-called 'Original Housefukker Mix' provides slow pumping pressure in terms of a raw and qunite unprocessed oldskool House grooves garnished with Mr. Müller's slick, repetetively sampled vocals, sharp hi-hat action and carefully twisted filters the second cut named 'Acid Remix' weighs in a stripped down, yet well-hypnotic take on gooey Acid modulations for all original 303 headz out there. Good stuff.

Crisopa - Transhumante [Sound In Silence 041]

Put on the circuit lately via the great Greek label Sound In Silence is "Transhumante", the fourth full length album effort created by the Spanish producer Santiago Lizon, better known under his alias Crisopa to followers of masterly crafted electronic music. Opening with a "Bird Song Incarnation" we're entering a sonic territory of playful, friendly and most of all pretty much bouncing Electronica Dub sporting lovely synth bass lines for lovers of sub heavy music, "I Am The Lord Of These Ruins" offers widescreen, panoramic Ambient and dubbed out background Electronica structures covered by thick string layers and blurred vocals, "Fast Dive" caters a lovely array of scintillant sonic cascades and raw, yet mesmerizing synths whereas the "Serene Option" lives up to the expectations raised by tender pads, distinct drum sounds and more floating, bell-like goodness alongside fascinatingly rhythmic click patterns and what seem to be reprocessed violins. Observing "Melting Wax Sculptures" we're listening to deep, (Neo)Cosmic-infused Downtempo romanticisms infused with inward looking Indietronica aspects, "Fluorine Cold Flames" even touches borders of - extremely sophisticated - SynthPop stylewise and the final cut named "Irradiating Nucleus" waves goodbye in a slightly melancholic, autumnal manner after a highly pleasant, yet way too short 34 minutes of total playtime. Nice.

Album artwork on Instagram!

Wednesday, October 25, 2017

François Bayle - Tremblement De Terre Très Doux (Excerpt)

Electronic Space Music from as far back as 1978 - to be re-released via Editions Mego in early 2k18 with a slight delay due to technical problems throughout the cutting process.

baze.djunkiii Chart Haul 10/2017

Tuesday, October 24, 2017

Stein Urheim - Utopian Tales [Hubro Music]

Recently put on the circuit via the Norwegian Hubro Music imprint is "Utopian Tales", the new, late-summer released album effort by Bergen's Stein Urheim who has worked with quite a bunch of fellow musicians on this one. Starting into the ten track journey with "Ustopia - Part One" we enter a beautiful, romantic realm located somewhat in between innocent Folk and slighty off-kilter slide guitar works following a microtonal scale which can be seen as one of the albums main themes. The follow up "Mikrotonia" comes across with a most classic - and classy - Ambient tonality for floating along its sonic traces in cosy ChillOut areas, "Just Intonation Island" brings more of a fever'ish and dreamlike state of slightly Tribal-infused hypnosis stretched over 8+ minutes to a thrilling effect, pairing these vibes with retrofuturist tones of seemingly modular origin, "Letter From Walden Two" fuses deep, bluesy Americana with a well spaced BarJazz approach and "Trouble In Carnaticala" digs even deeper when it comes to great Jazz vibes, this time with echoes of what seem to be influences of Bossa and SpaceRock. Furthermore "Hear The People Sing" turns towards a twisted, yet beautiful take on campfire-infused Americana within a mere 134 seconds, "The Clown" brings on the first vocal cut on "Utopian Tales", an ethereal dream in pastel coloured melancholia built from both elements of Singer / Songwriter'esque ballads and autumnal DreamJazz, "The Selegrend Movement" is more of an Easy Listening / Exotica-flavored interlude whereas "Ustopia - Part Two" picks up where part one stopped vibewise whilst adding more blurred and slightly psychedelic vocal bits before the concluding cut "Pala" waves goodbye with a tender solo take on dreamy guitars and a bit of a late summer feel. Lovely.

Album artwork on Instagram!

Sascha Müller - The Iron Raver EP [Psychocandies 058]

Put on the circuit  in late September via Psychocandies as the labels cat.no. 058 is Sascha Müller's "The Iron Raver EP", a new four track effort opening with "Digital Expression", a sweet piece of raw, uplifting Rave music paying homage to the HardTrance-induced heydays of the genre that were the mid-90s. Following up is "Progressive Attack", namewise probably inspired by the former compilation series of the same name, which takes us further into nervous and speedy Trance-territories whereas the "Space Tourist" comes up with a sweet, bouncy and bubbly AcidTrance approach for all true lovers of the genre before the final cut named "Time Range" walks down a similar path whilst adding a more playful and innocently happy feel to the overall vibe. What a flashback, this one is!

Monday, October 23, 2017

Sofa Surfers - 20 [Monoscope Productions 001]

What a way to celebrate two decades in the biz! Having started out as a crossover project somewhat located in between TripHop / Downtempo and Dub back in 1997 Sofa Surfers are back with a bang in 2k17, proving that they're still on top of the game with their latest album effort that opens with a tune able to humble quite a lot of contemporary Grime / Urban / Bass Music artists within a few bars only - "Warped" featuring Oddatee on vocals who easily cold floors hoards of wannabes and impostors with this one. Following up is "Rising", fusing slightly Balearic sounding guitars with heavy dopeness and loads of Future Soul which even might resonate with fans of Ed Sheeran and the likes of, "See The Light (Rework)" featuring Junior Delgado on the mic amalgamates floaty sub action with (Neo)Cosmic synths, ultra Slow House and massive, heart-felt lyrics, "Feel Good" even seems to enter dancefloor-smashing IndieElectro territories oddly layered with romantic piano lines and the "Elusive Scripts (Rework)" causes trouble as a collaboration with Mutant HipHop pioneers Dälek and Devi which comes out as a danger-indicating dark alley crime scene soundtrack of sorts, killing dancefloors and demanding reloads for sure. Furthermore "Can I Get A Witness (Rework)", another collaboration effort with vocalist Issi Honk, weighs in some proper Easy Listening-infused Bedroom Funk, MC Santana and Rox cater some creepy, yet hypermodernist DeathRap feel on top of the well creepy "Mind-Boggling (Rework)" whereas "Whatever This Is" caters more of a take on Urban Soul with quite a romantic twist and a thing for kitsch, kind of. With "River Blues (Rework)" alongside the vocal talent of Jeb Loy Nichols we see the Sofa Surfers successfully go after a pad heavy, late night vibe and the final cut "Endangered Speeches" takes us to heartfelt, deep cut avenue again. Highly recommended and defo on peak levels!

Sunday, October 22, 2017

Tresque - Terapung-apung

One of the most hypnotic takes on deep, ultraminimalist Techno we've come across in ages. Taken from Tresque's "Lensomni EP" which is out on the circuit since October 6th, 2k17.

Saturday, October 21, 2017

Antwood - Don't Go (Official Video)

Is this really a music video or more of a highly experimental art film?

Friday, October 20, 2017

27.10.2017 baze.djunkiii presents: OUR HOUSE @ Beat Boutique / Hamburg

decks: baze.djunkiii [Intrauterin Recordings / Liquid Sky Berlin]

file under: House / DeepHouse

doors open: 9 pm

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Beat Boutique
Max-Brauer-Allee 219
22765 Hamburg

Thursday, October 19, 2017

Various Artists - Psycho Kidzzz Vol. 4 [Psychocandies 057]

Released on August 31st, 2k17 via the ever active Psychocandies-imprint is the labels fourth full on various artists compilation catering a bunch of nine new tracks from its core producers, starting into approx. 55 minutes of sound with "Untitled 2" by The 808 Hillbillys which are catering a long,  well psychedelic journey into analogue ElectroAcid which is seemingly influenced by the well trippin' mid-90s releases of labels like XXC3 whilst Sascha Müller's "Acid Porn Dog 3" is a raw and untamed affair which, although for strange reasons, reminds us of of Plexus' 1991-released slammer "Raw Mission" vibewise and 3CloneB's "DS War Part 1" comes at us in a slow, grinding and distorted manner, ready to wreck and carnage our braincells within a little more than five minutes. In "Untitled 7" we see Sascha Müller bring back the magic of floating, ecstatic AcidTrance, RU DEAD 42's "Waveform Download" is more of a slightly below average MonoAcid affair and Sascha Müller's "Acid Swamp 3" enters more wild and untamed uptempo realms, weighing in elements of hardcore knob twisting and peak time ecstasy for die-hard Acid headz. Coming back with "Untitled 1" are The 808 Hillbillys again, revealing a grinding, mechanical and nerve wrecking aspect of their musical work which is is perfectly suitable for strobe-lit, illegal basement parties before the Frog Bitch serves highly compressed, captivating Rave / HardTrance / AcidTrance action with the dark, dramatic, yet anthemic "Gamble 303" and Sascha Müller finally closes this compilation with "Acid Constructor", a surprising and highly energetic take on ultrafast AcidRave which easily crosses the 170bpm-landmark and is about to please all fans of 90s Rave acts like RMB, Hardsequencer and the likes of speed- and energywise and therefore turns out to be our favorite track on this album for sure.